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About

CV

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Education

BA Fine Art (honours) first class

Dublin Institute of Technology

 

 Awards

Winner of Solstice Arts Centre, Surveyor Exhibition, 2016

 

 Winner of the Rua Red Winter Open Solo Award 2015

http://ruared.ie/event/winter-open-exhibition-2015

 

Awardee of the Firestation Artist Studios ‘Graduate Digital Media Award 2015’

 

Stage Design and Build Competition Winner

 

Group Project D.I.T.   Design, build and set stage for two operas;

 

La Boheme and The Merry Widow.

 

 Staged at The National Concert Hall, January 2014

 

 

 

 

Exhibitions

 

Solstice, Navan 'Industry' Exhibition,

curated by Sabina Mac Mahon. 28th April- 29th June 2018

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Solstice, Navan, Surveyor Exhibition 1st July- 2nd August 2017

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Rua Red Solo Show, 'Prelude (A Little Site Music)'  Sept 3rd - Oct 22nd 2016

 

Solstice, Navan, Surveyor Exhibition 22nd June - 10th July 2016

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 Pallas Projects and NCAD Gallery Periodical Review #5,  2015

Rua Red  Winter Open Exhibition 2015

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Hendrons Collider 'Encapture', Group show, 29 – 31st May 2014.

 

The Mart 'The Clay Room Project', Group show, 24th – 30th March 2014

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Kevin Lindsay

Born in Birmingham, England

Lives & works Ireland

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    Kevin's practice is – at the most basic level - founded upon the unit and the work predominantly sculptural. However photography, video, music and performance also play important roles within his practice.

 

     He has spent many years working in construction and this consequently influences the nature and the form his work takes.

 

     The crux of his sculptural work concerns diverting stock construction materials from their intended destiny and divesting them of their utilitarian identities. These individual units are deliberately left physically unaltered and are used in their delivered state. They are merely diverted and can conceivably be returned to their previously determined roles.

 

     These homogenous units are subsequently configured into sculptural forms, de-constructed and re-configured into other forms. A photographic record is an important integral part of this process, as this is the only form in which the work will subsequently exist.

 

     The sculptures are to a degree site responsive and push to the limit the materials in terms of stability and of balance. The forms are spontaneously created, however each addition or adjustment is also a considered act, relying on an imbedded knowledge and an innate sense of form.

 

      The inherent performative nature of the work has led to several pieces in this vein and investigation into the sounds which can be created with the materials, have led to all three being combined to form sound and sculptural performative events.

 

      Also through film and performance – again using construction materials – he investigates the inherent aesthetic contained within the mundane.

 

 

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